The 10th house is complex, for it is not solely concerned with career, achievement and status in the world “out there.” This last of the angular houses also reflects a very special dimension of mother, or the mother-archetype. It is mother as form-giver and mother as physical world. When an infant emerges into life, the mother’s physical reality forms the perameters of the universe; physical mother and material world are the same thing. The boundaries of mother’s body, and the confines of mother’s laws, ultimately form what we perceive as the boundaries and confines of the mundane world we inhabit; and what we project into the world, we then engage with, attempting to give shape to it in the form of a“career.” Every infant meets a particular archetypal component in the personal mother, apparently embodied by her. This component later colours the individual’s perception of what is expected by the larger world, and how one must present oneself to get in life. It is a kind of inheritance, but it is notan objective portrait of the mother. Rather, it is a portrait of something we experience first in the maternal relationship, and later in our efforts to establish ourselves as independent adults in a world full of limits and laws. The issues reflected by our 10thhouse planets shape our assumptions about our place in society, the contribution we can make, the social issues we champion or do battle with, and the persona we adopt. It is not the personal mother’s behaviour,but rather, the mythic image she embodies for her child, which dominates our perceptions. The material goals we espouse are thus profoundly linked with our early experiences of maternal limits and boundaries.
第十宫是复杂的，因为它不只与外部世界的事业、成就和社会地位有关。这最后一个角宫也从一个特殊的维度反映了母亲或母亲的原型。它是作为给予形式的母亲，或是物质世界的母亲。当婴儿有了生命时，母亲的物理现实构成了宇宙的范围，亲生母亲和物质世界是一回事。母亲的身体和法则的边界，最终形成了我们所居住的世俗世界的界限。我们会试图以\”职业\”的形式去塑造我们投射到这个世界上的那些我们会去参与的事务。每个婴儿都会在自己的母亲身上遇到一个独特的原型成分，而这个成分显然是由母亲体现出来的。并随后会影响个体对更大的世界所期望的东西的看法，以及会影响个体如何在生活中呈现自己。这是一种继承，但不是母亲的客观写照。更确切地说，它是我们首先在母婴关系中经历的一些事情的写照，以及后来我们在一个充满限制和法律的世界里确立成为独立成年人的努力。第十宫内的星体所反映的议题塑造了我们在社会中的地位、我们可以做出的贡献、我们拥护或与之斗争的社会问题以及我们采用的人格面具。这不是母亲的个人行为，相反，她向孩子所展现的神话形象，支配着我们的观念。因此，我们所信奉的实际层面的目标与我们早期经历的母婴关系的限制和界限有着深刻的联系。
Neptune in the 10th may perceive the world as a prison camp for those who need redeeming. The mother in such cases usually appears to her child as a victim, unconditionally loving yet the under serving bearer of life’s unfairness and pain. This is the mater dolorosa whose tears cleanse the sins of humanity, and whose suffering demands devotion and lifelong recompense. If this image is later transferred onto the world, the world seems full of misery; hence Neptune in the 10th often gravitates toward the helping professions, as a means of giving shape to the archetypal pattern. But Neptune in the 10thmay also perceive the mother as an hysteric—the gaping maw of the big fish, who, as Alexander the Great once put it, demands an exorbitant rent for nine months’ lodging. The mother may appear to exhibit the characteristic psychological difficulties of Neptune, not yet emerged herself from the uterine waters. She may be ill-defined as an individual, trying to live for and through her child. Neptunian idealization and longing for fusion may exist in both mother and child; both may share a dream of perfect union, where no loneliness or conflict can destroy the timeless bliss of Eden. Fulfilling mother’s needs, and later,the world’s needs, constitutes salvation. Boundaries are blurred, and the child may feel called upon to be not only redeemer, but also fish-food, to be borne,nurtured and then swallowed up.
第十宫的海王星可能会认为世界是那些需要救赎的人的监狱。在这种情况下，母亲对她的孩子来说通常是以受害者的身份出现，无条件地爱着生活中遭遇不公平和痛苦的人。这就是疼痛之母，她的眼泪净化了人类的罪孽，她的痛苦需要奉献和终生的补偿。如果这一形象随后转移到世界上，那么这个世界似乎充满了痛苦。因此，海王星在第十宫通常倾向于帮助职业，作为一种让原型模式具体化的手段。但是海王星在第十宫也可能会把母亲视为一个歇斯底里的人——像大鱼张开的嘴——她要求（子女）为九个月的子宫孕育支付昂贵租金。母亲可能表现出海王星特有的心理困难，她还没有从子宫的水里出来。她可能错误地被定义为个体，因为她试图为了孩子或者通过孩子来生活。海王星的理想化和对融合的渴望可能同时存在于母亲和子女身上，他们可能共享完美融合的梦想，那是没有孤独或冲突可以摧毁的伊甸园的永恒幸福。满足母亲的需要以及随后世界的需要，这便构成了救赎。边界是模糊的，孩子可能觉得不仅被作为救赎者，还被作为鱼食——去承担、被培育，最后被吞食。
Neptune’s sensitivity to unspoken maternal cues may be expressed to the collective through that other favourite Neptunian calling, the world of stage and screen. In the participation mystique between performer and audience, Neptune in the 10th can recreate the state of primal fusion, drawing nourishment from a positive response, and experiencing deep feelings of loss, anxiety, and despair if the audience rejects the offering. The collective thus becomes the embodiment of the source, life-giving in its love and approval, life-threatening in its wrath. Neptune in the 10threflects a deeply ambivalent relationship with the collective, as it does with the personal mother. In becoming what“they” want and need (which is the same as what mother wants and needs),Neptune in the 10thsecures the illusion of unconditional love. Yet the “beast with many heads,” as every Roman emperor knew, is as liable to turn on its redeemers as it is to worship them. Shakespeare addressed many of his plays to this theme, in particular Coriolanus. Neptune in the 10th,through its actor’s gifts, may appear glamourous and mysterious to the public.But equally, it may incur victimization, through an unconscious identification which unleashes the myth of the victim-redeemer in mundane life. A good example of this dimension of Neptune in the 10thmay be found in the chart of the Princess of Wales, explored in chapter 8.
海王星对母亲心照不宣的暗示的敏感性，可以通过其他受欢迎的海王星的召唤、舞台和银幕来向集体表达。在表演者和观众之间的神秘参与中，海王星在第十宫可以重现原始融合的状态，从积极的反应中获得滋养。如果观众拒绝参与，则会经历深深的失落、焦虑和绝望感。因此，集体成为源头的化身，在爱和认可赋予生命中，在愤怒中威胁生命。第十宫的海王星反映了与集体之间一种非常矛盾的关系，就像与自己母亲的关系一样。在成为\”他们\”想要的和需要的（这和母亲的需求一致）这个过程中，海王星在第十宫产生了无条件的爱的错觉。然而，正如每个罗马皇帝知道的，有种\”多头野兽\”很容易攻击它的拯救者，就像它是崇拜他们一样。莎士比亚的许多戏剧都与这个主题有关，尤其是科里奥拉纳斯。海王星在第十宫，通过它的表演天赋，可以向公众呈现他们的魅力和神秘感。但同样，它也可能通过无意识的认同而释放了世俗生活中的受害者-救赎者的神话而受害。戴安娜王妃的出生星图是发现海王星这一维度的一个很好的例子，在第8章中探讨。
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海王星在第十宫
Ebertin mentions“strange objectives,” as well as “the attainment of one’s objectives by crookedmeans.” Because of Neptune’s feelings of passivity and helplessness, one mayfeel that one’s progress in life is not within one’s own hands. An attitude offatalism may accompany any effort to plan a future, and the individual maydrift from one job to another, motivated not from within but by whatever helpappears through the agency of others. Thus one becomes a small child, contentto fulfill the mother’s ambitions and expectations, eager to please, butexperiencing no internal impetus to make an independent choice. For some withNeptune in the 10th, vocation is a necessity rather than a choice,dictated by unconscious compulsions which—whether interpreted as infantile,spiritual, or a combination of the two—will tolerate no other option. Otherswith Neptune in the 10th experience the world as too vast, confusingand overwhelming, and there is not enough “I” to claim a place based onconscious volition. Neptune in the 10th may thus transform intosociety’s victim, one of life’s “losers”—not through lack of ability, butthrough an obscure masochism which prefers martyrdom to a defined identity. Insuch cases one may consciously feel victimized by oppressive social forces(conservative government, patriarchal attitudes, capitalism, or other goodhooks for Saturnian projections), and wait for the millennium when the wickedare overthrown and the meek inherit the Earth.
Ebertin提到了\”奇怪的目标\”，以及\”通过不正当的手段来实现个人的目标\”。由于海王星的被动和无助感，个体可能会觉得在生活中的进步不是掌握在自己的手中的。对宿命论的态度可能伴随着实现未来计划的努力，个体可能从一份工作换到另份工作，而动机并不是来自内部，是来自其他媒介提供的帮助。于是个体就变成了一个孩子，去满足母亲的雄心壮志和期望，渴望取悦母亲，却没有内在动力做出独立的选择。对于某些在第十宫拥有海王星的人来说，职业是一种必需品而不是一种选择，由无意识的冲动决定——无论是被解释为幼稚、灵性，还是两者的结合——都只能容忍而别无选择。另外一些在第十宫有海王星的人，会感觉世界太过于辽阔、混乱和无法抗拒，没有足够的\”我\”来要求拥有一个属于自己意识意志的地方。因此，在第十宫的海王星可能会变成社会的受害者，是生活的\”失败者\”之一——并不是因为缺乏能力，而是因为一种隐晦的受虐，这种受虐倾向于殉难而不是一个明确的身份。在这种情况下，人们可能会认为受到压迫性社会力量（保守政府、父权制、资本主义或那些与土星良好投射有关的东西）的伤害，等待邪恶被推翻以及温顺的人来继承地球的千禧年。
If one identifies withthe victim-redeemer as outlaw (as most messiahs are in the context of theirsocial milieu), the one may feel that deceit is necessary to achieve anythingat all. There may be an urgent need not only to act subversively, but also tobe found out; the individual may unconsciously architect the means of his orher own downfall through leaving clues of dishonest activity, or throughbecoming involved with a dishonest colleague or business partner. There mayalso be an assumption of certain exemptions—one is “above” the laws of thesociety in which one lives. Neptune in the 10this sometimesassociated with scandal. A rather florid example of this kind of Neptunianself-sabotage is Chuck Berry, the American pop composer and performer. Berryachieved immense popularity during the 1960s and 1970s through his distinctiveblend of hard rock and country and western music, with such hits as “Mabelline”and “Johnny Be Good.” He achieved even greater success with two films, Go,Johnny, Go and Let the Good Times Roll, and won the Grammy award in 1984. Inhis birth chart Neptune is placed in Leo in the 10thhouse, sextilethe Sun in the 12thand forming a T-cross by squaring Saturn in the1stand Mars in the 7th. At the age of 18 he was jailedfor three years for car theft, and in 1962, when he was 36, he was sentenced toanother three years for taking a 14-year-old prostitute across state lines. Heserved yet another four months in goal for failing to pay $108,000 in incometax, and in 1988 was charged with beating up one of his back-up singers.Whatever was eating at Chuck Berry, fame and fortune did not cure it. Thenature of his career admirably suits his 10thhouse Neptune, for hewas one of an exclusive pantheon of successful pop singers who fulfilled thedreams of an entire generation. Yet he ensured his own persecution at the handsof the law. It is possible that the natal Neptune-Mars-Saturn configurationexpressed itself in this compulsive pattern, with the role of Saturn played bythe police and the role of Mars played by his own uncontrollable violence.
如果个体认为受害者-救赎者模式是不合法的（因为大多数救世主有他们自己的社会背景），可能会觉得为了达到任何目的而进行欺骗是必要的。不仅会迫切地采取破坏性的行动，而且还会被发现。个体可能会留下欺骗他人的线索或与不诚实的同事/商业伙伴交往，无意识中让自己身败名裂。也可能存在某些免责的假设——个体 “高于”社会的法律。海王星在第十宫有时与丑闻有关。海王星式的自我破坏有一个相当突出的例子是美国流行音乐作曲家和音乐家Chuck Berry。他在20世纪60年代和70年代凭借其独特的硬摇滚、乡村音乐和西方音乐的融合，获得了巨大的人气，如《Mabelline》和《Johnny Be Good》。他凭借两部电影《Go, Johnny, Go》和《Let the Good Times Roll》获得更大的成功，并于1984年获得格莱美奖。在他的出生图中，海王星位于狮子座的第十宫，与第十二宫的太阳六合，并与第一宫的土星和第七宫的火星形成T三角。18岁时，他因偷车被判入狱3年。1962年，当他36岁时，因带一名14岁的妓女越境，又被判刑3年。他又因未缴纳10.8万美元的所得税而入狱4个月，并于1988年被指控殴打他的一名后备歌手。不论Chuck Berry在苦恼什么，名利都没能治好他。他那令人羡慕的事业非常适合第十宫里的海王星，因为他是一个实现了一代人梦想的独特而成功的流行歌手。然而，他也让自己受到法律的迫害。有可能，本命的海王星-火星-土星的配置会以这种强迫性的模式表达自己，土星的角色由警察扮演，而火星的角色则由他自己无法控制的暴力所扮演。
Neptune in the 10thmay be nobly inspired to serve the collective, or it may be diabolicallyinspired to cheat the collective. Or it may do a little of both. Neptune in the10th never loses the gift of the hypocrites. One may not be particularlyNeptunian in other respects, but the world will project Neptune onto theindividual because the individual projects Neptune onto the world. There isusually an element of participation mystique, in the individual\’s professionaland public life, and an element of drama in the role he or she plays in theeyes of the world. This may not always be a big world-not everyone with Neptunein the 10th is \”famous\” -but one tends to get noticed, because of amagical quality of mirroring which activates the fantasies of those who do notknow the person well. On closer contact, this mystery may vanish. It is thosewith Neptune in the 1st or the 7th who remain elusive even in closerelationships. But whether Neptune in the 10th attracts calumny or idolisation,it has enormous power to attract, because of its enormous intuitive insight intothe inner workings of the collective. In the hands of a relatively consciousindividual, self-aware enough not to identify with the mythic enactment played outon the public stage, this power to attract may be put in the service of greatgood to society, or, at the very least；great pleasure offeredthrough the expression of creative talents. But the necessary ingredient ofself-awareness can emerge only from an honest confrontation with the redemptivetheme s surrounding the relationship with the mother. Without this insight,Neptune in the 10th may become the victim of internal and external collectiveforces over which the individual truly has no control.
海王星在第十宫可能是服务于大众的高尚灵魂，也可能是欺骗大众的恶魔般的灵魂，或者两者兼而有之。海王星在第十宫也有虚情假意。个体在其他方面可能不会特别受到海王星的影响，但是世界会把海王星投射到他身上，因为他也将海王星投射到了这个世界上。在个体的职业和公众事务中，通常参与都会带有神秘色彩，在世人眼中他或她所扮演的角色也有戏剧元素。世界并不大，也不是每个海王星在第十宫的人都是“著名的”。但个体往往会受到关注，因为镜子（映照）的神奇特质，激活了那些并不了解他的世人的幻想。靠近一些后，这个神秘感可能会消失。那些拥有海王星在第一宫或第七宫的人即使在亲密的关系中也依然难以捉摸。但是无论海王星在第十宫引起的是诽谤还是偶像崇拜，它都有强大的吸引力，因为它对集体的内部运作有着巨大的洞察力。在相对有意识的个体身上，能有足够的自知之明去否定在大众舞台上的神话设定，这种吸引力可以被用于为社会带来巨大的好处。通过创造性才能的表达，带来极大的乐趣。但是，自我觉察的必要因素只能在与母亲关系的救赎主题中，通过真诚的对抗来显现。如果没有这种洞察力，海王星在第十宫可能成为内部和外部集体力量的受害者，个体无法真正的控制它。
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